I have neglected my blog of late and won’t bore you with a long litany of excuses. I can offer you: Plott Dog ate my copy but that would be a lie.  I do however have a bit of an excuse, a.k.a the Great Shiitake Incident in which I managed to  develop a toxic reaction to Shiitake mushrooms.  The results weren’t pretty: imagine chemical peel meets measles and you’ll be about there.  I know, I know, there’s a story in that somewhere and I’m working on it. Anyway, I’m finally feeling like a human again and glad to be back—bearing good news too.

I am still hanging on in this year’s Whittaker Prize. Currently sitting at 4th overall after 6 rounds with another 3 to go, I can’t say the competition this year hasn’t been a bit of a bumpy road but it has certainly produced some interesting and lively discussion about the vagaries of judges’ tastes—more on that in a future post.  The good thing is that it has me writing again and I have a headful of a squabbling characters to prove it. 

My big news today though is twofold. The launch of the latest version of the Ether Books iPhone App and although I am truly a new book smell junkie, for me the Ether App is as exciting as Gutenberg’s press  must have been in its day.

The second part of my news is that those very excellent folks at Ether Books have published two more of my stories, Body Parts & Coal Dust and Valediction.  Available now at a mere snip of 59p each.  Ether have published eight stories on the app and I hope over time to sub more work for consideration.

What I love about the Ether App is that for me as a writer it provides a level of exposure for my work which quite frankly it could never have in print. More importantly is the fact that the Ether App opens up a whole new world of accessibility short stories and goes a long way towards silencing the drone of the naysayers who insist  the short story is dead.

I’m always very tempted to ask this question of the doom and gloom squad: If the short story is deceased, then why are so many people actively involved in writing them?

Just a quick skim through the Ether app and you will find living, breathing big name authors— Hilary Mantel, Alexander McCall Smith, Louis de Bernieres to name but a few. Not only that but you will also find a plethora of emerging writers, notable names, literary heavyweights from yesteryear and, most importantly some excellent stories from a myiad of genres. Non-fiction and columnists too,  there’s definitely something for everybody, no matter how eclectic or off-the-wall your tastes may be.

Anybody who believes the short form has no place in modern literature should go and read A L Kennedy’s  article which appeared last week in the Independent  in which she argues that the form very much alive and well.  I  believe the short story is alive and seriously kicking but the proof of course is always in the eating, so instead of me telling you all about if, go and find out for yourself.

I have to say this was a very pleasing sight in the iPhone App store this morning - Body Parts and Valediction at 2 and 3 in the top ten!

Here’s what Ether have to say:

Download the latest version of the FREE iPhone App from Ether Books!

Ether Books has just brought out the latest version of their popular iPhone App with fantastic new design and functionality!

New features include the option to share details of your favourite reads with friends and followers on social media and email, OTA messages for your favourite writers and genres, and new easy reading features. We have also updated the one tap for ease of navigation when reading in the App and rearranged the order of scrollling by authors surname, tweeks which make this the best Ether App ever!

You can download the latest version from this link to access 100s of contemporary short reads from both new and bestselling writers from across the world -  http://bit.ly/bpvC84 

Ether Books.. making reading mobile!

This is the sad little story of what happens when you let prevarication get in the way of a good story and my unerring ability to do so right up to a deadline.

The day went something like this:

5:30am Plott dog does his very best to convince me it’s time to get up. When his up close and personal dog-breath in your face routine doesn’t work, he resorts to flatulence. It still doesn’t work.

8:00am Massive oversleep – I finally get up dazed and groggy headed.

8:30am Quick hike along the tow-path of the Trent-Mersey canal. Detour to see the myriad of newly hatched ducklings scooting around on the River Trent – everybody say Aaaah.

9:30am Two miles later Plott dog is pleading for respite having been dragged along on a 7 miler the day before. It’s blisteringly hot already and I decide he’s right.

9:32am We meet a rather bouncy spaniel on the loose which bounds up to Plott dog and, in the way of dogs the world over, immediately sticks its nose up his behind.  Affronted, Plott Dog decides he wants to tear it limb from limb. Unfortunately this isn’t the first time he’s taken against Spaniels in a most alarming way; Plott dog, it seems has a “thing” about Spaniels. Had it been a Jack Russell, he would probably have let it carry on.

9:35am Manage to disengage Plott dog from Spaniel. Owner gets a bit snippy but in the spirit of all things warm and fuzzy— it being Easter— I refrain from pointing out we have leash laws for a reason.

9:45am Thoughts turn to my story, or rather the lack thereof.  I have a midnight deadline  for Round 3 of the Whittaker and a collection of disjointed, somewhat ethereal thoughts. What I don’t have is a single coherent sentence or anything resembling an outline—not even an itsy-bitsy wafer thin one.

11:00am The sun continued to shine and I now have what I think is a brilliant, grab you by the throat opening. I don’t have anything which even in my wildest dreams would amount to a middle and an end, much less a plot. Maybe caffeine can fix it.

11:15am Caffeine does nothing to help. I stare at the textured walls of my office. Finding no inspiration there, I spare a thought for the new owner of this house and hope they love Artex, or failing that, have a very good remedy for removing it.

12:30pm I scan through every writer’s prompt book I own in an increasingly desperate search for an idea.

2:30pm  More coffee. Now I’m wishing I’d not been so holier than thou about avoiding Easter chocolate.  There’s no time for a mercy dash to the gas station up the road—besides it’s too hot. In extremis even Plott dog’s canine choccy drops start to look good. I settle instead for a Marmite bar – yeah well, I’m a writer, I have imagination although, in the case of Marmite bars, possibly not enough.

 3:45pm I tell myself there’s plenty of time.

5:00pm I have something that may work, based on something somebody said to me at a party not long after came back from the States—but is it a story?

7:40pm A quick dash onto the internet to check something out takes longer than it should because pages are hanging and refusing to load. I remove my blistering in-your-face opening.

8:00pm Coffee. I tell myself there’s still plenty of time.  Quick gallop around a few blocks with Plott dog —enticing smells wafting from Pizzeria; there’s a half-hour wait for take-out. I decide my story can’t afford it.

8:30pm Internet still playing up—I run a diagnostic check on the system. Everything seems OK, there’s no time to mess with it. I’ll try later.

9:00pm I have a draft I’m happier with but the ending isn’t working. Hey there’s a surprise, me having problems with an ending. This is seriously not good.  I crashed and burned badly in round 2 on my ending and crawled in in joint-fifth with possibly my lowest score in a competition ever.

9:30pm My neck and shoulders have concretised  into a hump and I’m on what seems like my gazillionth coffee of the day. I print onto coloured paper. The ending still isn’t working but at least I’ve caught the more obvious grammatical howlers—I hope. I tweak the ending and scan through for continuity.  It makes sense to me but I’m really not sure the judge is going to get it. I format and print again, this time onto white paper. There’s a spelling mistake on the very first line an “an/and” typo that spell check wouldn’t pick up. I worry there may be more. I scan again word by word, line by line.

9:50pm It’s done, as good as it’s going to get and if I pick at it any longer I’m going to change something critical which will cause all sorts of problems.  I’m pinging off the walls from all this coffee.

10:00pm The browser is hanging…hanging…hanging. I check the wireless strength and the lights on the router.  The browser returns nothing. I switch from Chrome to IE – same result.  I wait anxiously. My Gmail starts to open but it’s about as fast as molasses in winter.

10:05pm I write my submission email and attach the file. I watch the progress bar—it doesn’t make any. I try again. Now the page won’t reload and it keeps telling me I’m timed out. I try to figure out my options while re-booting my system —just in case.

10:50pm I try my phone – same problem with wireless. I switch the wireless off and miraculously, for where I live, it picks up the 3g network. Thank you, God.  It’s never done that before while I’ve lived here. I’m in a dead spot and normally have no connectivity without the wifi on.

11:15pm Using Safari on my phone I log in and send a frantic message to the TWI forum while haranguing myself for not  getting my act together and getting the story done and submitted earlier.

11:17pm  I’m still trying to get Gmail to load on my laptop. The administrator responds. I can submit via private message directly onto the site. Now all I’ve got to do is figure is how to get the formatted story file from my laptop to my phone. I have GoodReader on my phone. If I were to switch my phone back to wireless I could zap it straight from the laptop to my phone as a Word.doc then email over 3G. It’s worth a try.

11:20pm But what if the problem is with my laptop wifi card? Can’t be, I tell myself I haven’t got time to worry.  The minutes are ticking by faster than I want to think about. I open up the app and then a browser. I type in the IP address—will if find it….will it…YES!!!!!!

11:23pm the file transfers seamlessly to my phone. I ask the app to email it. It opens my email, but can’t open my address book.  I kill the app and switch off the wifi again.  Still can’t open the address book.  Can I remember the submissions email? What if I try to and it’s not the right one? I have no choice but to go back on the TWI site via Safari  and check it.  My hands are shaking, I’m totally wired from the caffeine I’ve overdosed myself with and light-headed from the lack of a decent meal.

11:25pm I pull myself together. I have the right address. I hit send. Nothing happens. OK, I think —Plan B – Private Message direct to the site. I open the GoodReader file on my phone, copy and go back to Safari.  I paste it into the message. It takes what seems like forever to appear. I hit send. Then I wait. Did it really send or is it going to time out again?

11:26pm I wait. I can do no more now but pray that my story is winging its way through the ether to Canada.

11:28pm I realise how much I don’t want to give up on this competition.

11:34pm My phone pings to announce incoming email. Submission received.

02:00am I am still WIDE awake – so decide to occupy myself with a little packing for my forthcoming move…incidentally I have found these supermarket bags to be ideal for moving my books. This is part of the fiction section ready and waiting to go.  Did somebody say Kindle?

 

So there you have it, the moral of the story really doesn’t need a great deal of exposition does it?  There are only another 6 rounds to go. Hopefully I will not let prevarication get this close to biting me in the rear again—hopefully.

I’m happily writing again albeit I’m not getting as much done as I want to but words are being created one at a time and that’s the best anyone can hope for. Today I have submitted two pieces to a publisher which I hope will receive a global audience. More on that when I know if they have been successful.

Round Two of the Whittaker Prize was submitted yesterday and this time I beat the deadline by hours and not minutes as in Round One—a little healthier for my sanity at the very least. My first round entry came in third which was something to be pleased about.  It’s a long haul yet and one I may not be able to stick with this year because believe it or not, I’m on the move again sometime in the next month.

Sadly my landlord died, five weeks after I moved in here in February. Unfortunately the house has to be sold and there’s not a lot I can do about that.  As I have custody of Plott dog, finding a new home has proved somewhat difficult and for a nation of dog lovers, it certainly doesn’t feel like it.  I tried 17 different properties before I found one with a landlord understanding enough to allow me to keep Plott dog.  Hopefully, we’ll be settled into our new home by the end of May.

That however,  is not what my bit of a rant is about.

I don’t watch much television if I can help it but recently I found myself stopped dead in my tracks by an advert for one of the banks, exhorting people to …”visit us in branch”…  Whatever happened to going to the branch? I’m pretty sure when I worked in financial services nobody talked about coming to see Manager ….well maybe there was the occasional  “T’Manager” if one were to account for regional speech patterns, but nobody every referred to me as Manager. They may have called me many things but usually it had a definite article attached to it.

I also attend a weekly meeting where the leader of the group constantly talks about people “coming into group.”  I find myself wanting leap up and protest loudly at this erosion of the English language, one word at a time or at the very least shake the person warmly by the throat until they comply with my need for grammatical correctness.

What’s happening here?

Teenagers aside, how long can it be before we’ve lost so much of our language that we are communicating in nothing more than a series of monosyllabic grunts?

Another word which has been irritating me of late is “gutted” and when I heard a BBC newsreader use it some weeks ago I was horrified to find it was being used in the context of someone being upset. Where did it come from?

Herring are gutted, Pilchards are gutted; game is gutted but people?

Did we not have enough words in our language already to be able to express the nature of sorrow or disappointment? Is it that we have become so used to the use of excessive superlatives and hyperbole that we find ourselves constantly searching for something more visceral, more Cor! Wow! Zip! Have we dulled our senses so much that we have to communicate in the language of Eastenders and the red-top rags?

I’m not suggesting we should be speaking in the language of the seventeenth century; language is a living thing, as such it does adapt and evolve but surely it doesn’t have to be butchered in the process.

Quite frankly, I’m gutted!

 

So, here we are again, on the cusp of another Whittaker Prize. Talk about tempus fugit —actually I’m not going to talk about that at all.

I’m not even going to apologise for my trademark erratic blogging. Well maybe, just a little. Sorry, gentle reader—really, I am.  Regular readers will know (and hopefully understand) about the life changing bomb which dropped on me  towards the end of 2010. I won’t bore you with my litany of woes, suffice it to say it was a very painful period I would have gladly have foregone.  The emphasis though, is on the past tense, because although that pain left its legacy, the period has passed and it’s time to move on.

So I’m back, posterior firmly planted on the writing seat. I’m at a new location which I have to say I’m loving. I have a head full of new ideas.  That’s the good news, the less than stellar news is the lack of available hours at my disposal but I’m pretty sure most readers are in the same boat and really don’t need to hear me whinging about it.

My countdown to the eighteen weeks of Whittaker started in the nicest possible way with the publication of a piece of my work in The Right Eyed Deer Issue 5. This is a piece which is very dear to me and although short, took a long, long time to write about – we’re talking decades here. I am glad it found a home with the Deer.

Aside from a couple of early season entries to Write-Invite, I’ve submitted nothing at all so far this year. I can’t say that has thrilled me. I watched as deadlines came and went but have been unable to write anything more than endless “to-do” lists in the three months it has taken to get my head straight. The truth is, I’m a little scared—actually that’s a lie—I’m a lot scared. Scared that when the tape goes up on Whittaker 2011 and the first set of prompts are out, I will find myself with nothing to say or worse that the ability to say anything at all, will also have deserted me —despite the ideas rolling around in my head.

As therapy and by way of relieving some of my angst and paranoia, I have been studying my old notebooks and seeking themes, plot outlines and ideas which I may have overlooked. Happily there’s plenty of stuff there and even some I think I might be able to work with going forward. Ploughing through piles of notebooks, it struck me quite forcibly how chaotic and fragmented it all is. It’s a little scary just how easy it might be for the thread of inspiration or germ of an idea to get lost and never be given the opportunity to develop to full potential.

I read an article many months ago in the Guardian by Hilary Mantel on the subject of stationery in which she asserts that notebooks are death to free thought. I think she might be right.

I’ll admit it, I have been guilty of worshiping at the altar of all things Moleskine and getting caught up in the my little OCD moments of having to have just the right notebook or a certain type of pen before I could let loose my literary prowess and commit my lofty thoughts to paper. To the soundtrack of ringing cash registers, I have been sucked in suckered by romantic notions of striving to imitate the great café writers of days past with my trusty little black notebooks. The problem is, now I can’t find a bloody thing.

Left-brained me, the one wrestling with reality and  the mundane but demanding world of my day job, deals with state of the art databases and lightning fast data retrieval.  Left-brained me  runs on a steady diet of logic fueled by categorisation and everything-in-its-place order, from labels to  indices and filing systems. Left-brain has no room for romanticism. Right brained me has other ideas but so far, right-brained me has failed to deliver when it comes to keeping track of my ideas.  Much time has been wasted by both left and right brain, hunting for tidbits of my scintillating prose and red-hot plot outlines, not to mention the huge quantities of angst expended on it all.  Oh yes, I have little black Molehills of chaos. Don’t get me wrong, I love my Moleskines dearly but the whole notebook thing is just not working for me right now.

At this point I’m not sure which version of myself will win.  What I don’t want to do is stifle my own creativity by imposing rules and regs on right-brain but for the sake of the sanity of left-brain, I’m going to have to come up with a better way of remembering what I wrote and where I wrote it. Whatever the solution , it’s going to be painful and take a lot of work and discipline just to keep myself out of the stationery catalogue.

In the meantime I’m taking a literary leaf out of Hilary’s book and heading down the ring binder route.

The So-What? Trap

Posted: January 2, 2011 in Writing

I try to keep track on what I’m reading and a quick glance through my journals highlighted the fact that in 2010 I started way more books than I actually finished. No big deal you may think and you’d probably be right.  For me though, it’s a little troubling.  Since I was a small child I have viewed any unfinished book as some kind of failure on my part. I have no idea why this should be, other than the fact that I grew up in a staunchly Completer-Finisher household which would brook no uncompleted tasks or activities.

On that basis then, 2010 represents failure of epic proportions on my part.  Or does it?

As writers we are constantly urged to read and to do so widely. This was the first year I can say, hand on heart, I have been reading like a writer instead of reading for pleasure and there is a huge difference.  Francine Prose wrote the very good Reading Like A Writer about this very topic.  Although highly instructive, reading as a writer is not my most favourite activity because in some ways I found it robbed me of the joy of reading.  I was too intent on watching for what worked and what didn’t and trying to figure out why, to enjoy the story.  In the course of my travails I amassed my own personal Giants Causeway formed not of basaltic columns but instead created by piles of books covering the floor in my office. All of which I’ve been told I absolutely ‘should’ or ‘must’ read.  In 2010 I think I spent more on books than any other discretionary purchase. I’m a digitally published writer I know I should be embracing new delivery platforms more readily but frankly I’m too much of a new book-smell junkie to quit my poison of choice that easily.

So now comes the hard part: If I’m honest I would have to say for at least half of the books I started, I didn’t get more than 100 pages into before I tossed in the towel.  Time has been a big factor. I simply didn’t have enough of it and certainly not enough to spare for any book if I could say after 100 pages –so what?

In any form of investment, the ROI is king – first and foremost—and I’m not talking about the ermine robe and sceptre type. I’m talking about payoff, I’m talking about return on investment. If, as a writer I fail to provide it, then I become no better than a literary Bernie Maddoff because time is the most precious thing that can be taken from anybody.

Without that ROI the writer allows the reader to fall headlong into that yawning So What? Trap and in so doing cheats them out of their investment.   For me some of the books I did finish in 2010 delivered handsomely and here, in no particular order,  is my list :

Full Length Fiction

Adam – Ted Decker – I read the whole book in one sitting, a seriously gripping read and a masterclass in page turners. (978-0340964972)

Alias Grace — Margaret Atwood -  my list would not be complete without the author I have the greatest admiration for.   Fact and fiction inter-twined which works on so many levels it reads like a modern thriller, an historical novel and a who-dun-it all in one go.  (978-748113330)

The Women – T Coraghessan Boyle – another fact and fiction inter-weave. I am in awe, as always, of the author’s use of language and description (978-1408800980).

On Green Dolphin Street – Sebastian Faulks – a masterclass in sense of place and characterisation. (978-0099275831)

The Angel’s Game – Carlos Ruis Zafon – fascinating, twisty, compelling, dark and mysterious. I never once had any idea where the author was taking this story.  A complex book,  rich in depth, detail and sub-plots, many of which the author leaves open-ended.  This and Grave Doubts I give 10/10 for the authors’ abilities to stay well out of the way of the story (978-0753826492).

A Season for the Dead – David Hewson – Satisfyingly different. The author weaves a vast amount of exposition into the story without the reader being aware of it. Again a set piece in sense of place, strong and interesting characters and a fascinating plot. (978-0330493635)

Grave Doubts – Elizabeth Corley.  This author pulls no punches, she makes her characters suffer and never takes the easy option but instead just keeps turning up the tension.  The author’s presence is never felt. This is crime fiction at its very best.  (978-0749080006)

Short Story Collections

No apology for the amount of books on this list. I write short stories and the books on this list have been my classroom.  In no particular order, these are the collections I have been inspired, motivated and instructed by this year. The stories in these books are populated by resonant characters, themes and plots that the reader remembers long after the stories have been read:

Third Class Superhero (978-1844713363) – Charles Yu

The Collected Stories (Granta – no ISBN ) & Wild Child (978-1408804803)— T Coraghessan Boyle

The Girl in the Flammable Skirt (978-0385492164) – Aimee Bender

Is This The Way You Said (978-0099479895) – Adam Thorpe

Words from a Glass Bubble (978-1844717347) – Vanessa Gebbie

The White Road (978-1844714759) – Tania Hershman

Twelve Stories (978-1844717200) – Paul Magrs

Moral Disorder (978-1844080335) & The Tent (978-0747584940) – Margaret Atwood

Not So Perfect (978-1906894078) – Nik Perring

Summer Lightning (978-0582786271) – Olive Senior

The Granta Book of the Irish Short Story (978-1847080974) — Anne Enright, Ed.

Instructional/Motivational Books – Without doubt the books on this list have had a very big impact on me—not necessarily on the way I write but most definitely on the way I think about what I’m writing.

Field Guide to Writing Flash Fiction (978-0978984861) – Tara L Masih, Ed

The Artist’s Way (978-1585421466) – Julia Cameron

Short Circuit ­ (978-1844717248) — Vanessa Gebbie, Ed

The 3am Epiphany (978-1582973517) & The 4am Breakthrough (978-1582975634) – Brian Kiteley

Masterclass in Fiction Writing (978-0071448772) – Adam Sexton

So that’s it – my top reads from 2010. My list for 2011 is longer than ever and includes among many others:

On My Night Stand for 2011

The Road Home – Rose Tremain

A Wedding in December – Anita Shreve

Freedom ­— Jonathan Franzen

The Particular Sadness of Lemon Cake ­— Aimee Bender

Fine Just The Way It Is: Wyoming Tales – Annie Proulx

Theft — Peter Carey

The Handmaid’s Tale ­– Margaret Atwood

Dear John – Nicholas Sparks

Faulks on Fiction – Sebastian Faulks

The Divide – Nicholas Evans

The Other Side Of The Story – Marian Keyes

Too Much Happiness – Alice Munro

I should stop here because this list is really quite endless.  One day I will learn how to do ‘proper’ book reviews and keep you posted on my progress.

The key point I have gained out of my reading in 2010 is  that the reader is central to everything else. It should be obvious but I think it is very easy to overlook in our quest to be the best writers we can be. All the sparkling prose, the building tension or the brilliant plotting will never be anything other than assorted individual components of the whole if  the reader is left out of the process.

A most excellent blog I can recommend and one which has certainly helped me keep my focus on this point is A Book A Week by Becky Holmes.

So off to my reading list …where to start?

And before you say it, I will be making amends for my de-forestation of the planet by planting some trees in 2011.